Kammermusik

Płyta	Nr utworu	Tytuł	Wykonawca	Czas trwania
1	1	Rhapsody for string quartet (1929)	(Endellion String Quartet)	7:06
1	2	I. Andante - Allegro molto e con fuoco: Quartettino (1930)	(Endellion String Quartet)	5:58
1	3	II. Poco adagio ma con moto: Quartettino (1930)	(Endellion String Quartet)	6:26
1	4	III. Allegro molto vivace: Quartettino (1930)	(Endellion String Quartet)	3:05
1	5	Elegy (1930)	(Garfield Jackson)	7:25
1	6	I. Allegro maestoso: String Quartet in D	(Endellion String Quartet)	8:17
1	7	II. Lento ed espressivo: String Quartet in D	(Endellion String Quartet)	6:51
1	8	III. Allegro giocoso: String Quartet in D	(Endellion String Quartet)	4:39
1	9	Phantasy in F minor	(Nicholas Logie)	10:59
2	1	Phantasy Op. 2	(Douglas Boyd)	13:17
2	2	March: 3 Divertimenti	(Endellion String Quartet)	3:45
2	3	Waltz: 3 Divertimenti	(Endellion String Quartet)	2:45
2	4	Burlesque: 3 Divertimenti	(Endellion String Quartet)	3:21
2	5	Alla marcia	(Endellion String Quartet)	3:23
2	6	I. Andante sostenuto: String Quartet No. 1 in D Op 25	(Endellion String Quartet)	8:39
2	7	II. Allegretto con slancio: String Quartet No. 1 in D Op 25	(Endellion String Quartet)	3:00
2	8	III. Andante calmo: String Quartet No. 1 in D Op 25	(Endellion String Quartet)	11:28
2	9	IV. Molto vivace: String Quartet No. 1 in D Op 25	(Endellion String Quartet)	3:50
3	1	I. Allegro calmo senza rigore: String Quartet No. 2 in C Op 36	(Endellion String Quartet)	7:51
3	2	II. Vivace: String Quartet No. 2 in C Op 36	(Endellion String Quartet)	3:40
3	3	III. Chacony (Sostenuto): String Quartet No. 2 in C Op 36	(Endellion String Quartet)	17:45
3	4	I. Duets (with moderato movement): String Quartet No. 3 Op 94	(Endellion String Quartet)	5:24
3	5	II. Ostinato (Very fast): String Quartet No. 3 Op 94	(Endellion String Quartet)	3:01
3	6	III. Solo (Very calm): String Quartet No. 3 Op 94	(Endellion String Quartet)	5:30
3	7	IV. Burlesque (Fast, con fuoco): String Quartet No. 3 Op 94	(Endellion String Quartet)	2:16
3	8	V. Recitative and Passacaglia 'La Srenissima' (Slow): String Quartet No. 3 Op 94	(Endellion String Quartet)	9:49
4	1	Canto Primo: Sostenuto e largamente: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	2:21
4	2	I Fuga: Andante moderato: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	3:59
4	3	II Lamento: Lento rubato: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	3:08
4	4	Canto Secondo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	1:11
4	5	III Serenata: Allegretto (pizzicato): Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	2:13
4	6	IV Marcia: Alla marcia moderato: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	3:31
4	7	Canto Terzo: Sostenuto: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	2:28
4	8	V Bordone: Moderato quasi recitativo: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	3:04
4	9	VI Moto perpetuo e Canto quarto: Presto: Suite No. 1 in G for Solo Cello Op.72	(Truls M¢rk)	3:32
4	10	I Declamato: Largo: Suite No. 2 in D for Solo Cello Op.80	(Truls M¢rk)	4:30
4	11	II Fuga: Andante: Suite No. 2 in D for Solo Cello Op.80	(Truls M¢rk)	4:43
4	12	III Scherzo: Allegro molto: Suite No. 2 in D for Solo Cello Op.80	(Truls M¢rk)	2:00
4	13	IV Andante lento: Suite No. 2 in D for Solo Cello Op.80	(Truls M¢rk)	5:36
4	14	V Ciaccona: Allegro: Suite No. 2 in D for Solo Cello Op.80	(Truls M¢rk)	7:14
4	15	I Introduzione: Lento: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	2:35
4	16	II Marcia: Allegro: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	1:46
4	17	III Canto: Con moto: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	1:21
4	18	IV Barcarola: Lento: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	1:23
4	19	V Dialogo: Allgretto: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	1:43
4	20	VI Fuga: Andante espressivo: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	2:36
4	21	VII Recitativo: Fantastico: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	1:17
4	22	VIII Moto perpetuo: Presto: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)
4	23	IX Passacaglia: Lento solenne: Suite No. 3 for Solo Cello Op. 87	(Truls M¢rk)	9:45
5	1	I. Early Morning Bathe: Holiday Diary Op. 5	(Stephen Hough)	2:07
5	2	II. Sailing: Holiday Diary Op. 5	(Stephen Hough)	5:14
5	3	III. Funfair: Holiday Diary Op. 5	(Stephen Hough)	2:39
5	4	IV. Night: Holiday Diary Op. 5	(Stephen Hough)	6:58
5	5	I. John (Poco allegro vivace): Three Character Pieces (1930)	(Stephen Hough)	1:57
5	6	II. Daphne (Poco andante grazioso): Three Character Pieces (1930)	(Stephen Hough)	2:07
5	7	III. Michael (Poco presto e molto capriccioso): Three Character Pieces (1930)	(Stephen Hough)	3:00
5	8	Night Piece (Notturno) (1963)	(Stephen Hough)	5:23
5	9	Moderato: Moderato and Nocturne (Sonatina romantica, 1940)	(Stephen Hough)	4:39
5	10	Nocturne: Moderato and Nocturne (Sonatina romantica, 1940)	(Stephen Hough)	2:53
5	11	Twelve Variations (1931)	(Stephen Hough)	8:41
5	12	I. Rather fast and nervous: Five Walztes (Waltzes) (1923-5/1969)	(Stephen Hough)	1:07
5	13	II. Quick, with wit: Five Walztes (Waltzes) (1923-5/1969)	(Stephen Hough)	1:39
5	14	III. Dramatic: Five Walztes (Waltzes) (1923-5/1969)	(Stephen Hough)	1:41
5	15	IV. Rhythmic; not fast: Five Walztes (Waltzes) (1923-5/1969)	(Stephen Hough)	3:30
5	16	V. Variations: Quiet and simple: Five Walztes (Waltzes) (1923-5/1969)	(Stephen Hough)	2:58
5	17	Lullaby: Two Lullabies (1936)	(Stephen Hough)	3:19
5	18	Lullaby for a Retired Colonel: Two Lullabies (1936)	(Stephen Hough)	2:22
5	19	Mazurka elegiaca Op. 23 No. 2	(Stephen Hough)	8:24
5	20	Introduction -: Introduction and Rondo alla burlesca Op. 23 No. 1	(Stephen Hough)	3:21
5	21	Rondo alla burlesca: Introduction and Rondo alla burlesca Op. 23 No. 1	(Stephen Hough)	5:43
6	1	I. Introduction (Andante maestoso): Suite for violin and piano Op. 6	(Alexander Barantschik)
6	2	II. March (Allegro alla marcia): Suite for violin and piano Op. 6	(Alexander Barantschik)	2:54
6	3	III. Moto perpetuo (Allegro molto e con fuoco): Suite for violin and piano Op. 6	(Alexander Barantschik)	3:12
6	4	IV. Lullaby (Lento tranquillo): Suite for violin and piano Op. 6	(Alexander Barantschik)	4:39
6	5	V. Waltz (Alla valse: vivace e rubato): Suite for violin and piano Op. 6	(Alexander Barantschik)	4:30
6	6	I. Dialogo (Allegro): Cello Sonata in C Op. 65	(Moray Welsh)	7:53
6	7	II. Scherzo-pizzicato (Allegretto): Cello Sonata in C Op. 65	(Moray Welsh)	2:29
6	8	III. Elegia (Lento): Cello Sonata in C Op. 65	(Moray Welsh)	6:46
6	9	IV. Marcia (Energico): Cello Sonata in C Op. 65	(Moray Welsh)	2:18
6	10	V. Moto perpetuo (Presto): Cello Sonata in C Op. 65	(Moray Welsh)	2:50
6	11	1. Pan (Senza misura): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	2:27
6	12	2. Phaeton (Vivace ritmico): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	1:22
6	13	3. Niobe (Andante): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	2:50
6	14	4. Bacchus (Allegro pesante): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	1:52
6	15	5. Narcissus (Lento piacevole): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	3:14
6	16	6. Arethusa (Largamente): Six Metamorphoses after Ovid Op. 49	(Roy Carter)	2:33
6	17	I. Musingly (Meditation): Nocturnal after John Dowland Op. 70	(Julian Bream)	2:16
6	18	II. Agitated (Molto agitatavo): Nocturnal after John Dowland Op. 70	(Julian Bream)
6	19	III. Restless (Inquieto): Nocturnal after John Dowland Op. 70	(Julian Bream)	2:00
6	20	IV. Uneasy (Ansioso): Nocturnal after John Dowland Op. 70	(Julian Bream)	1:32
6	21	V. March-like (Quasi una marcia): Nocturnal after John Dowland Op. 70	(Julian Bream)	1:36
6	22	VI. Dreaming (Sognanti): Nocturnal after John Dowland Op. 70	(Julian Bream)	1:54
6	23	VII. Greatly rocking (Cullante): Nocturnal after John Dowland Op. 70	(Julian Bream)
6	24	VIII. Passacaglia (Misurato): Nocturnal after John Dowland Op. 70	(Julian Bream)	4:50
6	25	IX. Slow and quiet (Molto tranquillo): Nocturnal after John Dowland Op. 70	(Julian Bream)	2:29

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Notebook ACER V5-471P-53318G50Mass